So I felt like in Bilbao that there is some visual virtue in the city, the hills around the bridge, and I assumed that they would clean it all up eventually, which they did. I didn’t know they were over there. Is there something that you can tell us about that? Gehry came in. It was a panic of losing something that I had really worked on, and now it’s becoming something else, but it’s not as good as it was. It was dogged persistence once I got into it. For more details, please see our privacy notice. 2012 Honor Awards. I kind of pulled it off. I think that most of the world wants to live in the past, and I think it is going to catch up with us at some point, and I don’t know when that’s going to happen. I realized I was losing it. The interior, which Gehry terms “the iceberg,” is formed by an array of white concrete cubes, supplying ample neutral space for the exhibition of art. Frank Gehry: Make a difference in a microcosm, but in the world, we don’t know yet. He was very Miesian. That was the initial turn-on. Because I was looking for a way to express movement with architecture, because I couldn’t do decoration that was postmodern. How do you bring that together into a new city form? I think we are by nature. FRANK GEHRY . It’s become critical now because the prizes given to architects now, a lot of them are given for social responsibility or for sustainability issues. The contractor is scared of the costs and losing money, and the architect is pushing to get his or her dream to fruition, and they’re in conflict. You can’t ignore them. I could live there for the rest of my life for free. But there are a lot of different areas in architecture, and the schools have a tendency to develop a certain kind architect — trying to make the stars. They took us up on the hill overlooking the city. I had made some chairs earlier, and they were shown at Bloomingdale’s. In one case it’s the Guggenheim Museum in Bilbao, Spain. "He's innovated on every front that an architect can innovate," he continued. I challenge you to prove it.”. Hurry. I went to Bilbao. So, and that led to a fish lamp, which Gagosian Gallery took on for some reason at that time and sold a bunch of them, and it still represents us and fish lamps. You know, somehow I just started racking my brain about, “What do I like?” Where was I? What you see, if you go there now, is not seamless. And apparently the people that he ran with said, “Yes, he did.” So he wasn’t making it up. When the other products of a culture have faded from human memory, it is the works of architecture that remain to define an era for successive generations. Well, both things are not true. So then I was able to take it into buildings. He would get me just before I made the move. It was quite beautiful. If anybody sees me — I was in India somewhere in a plaza and some lady saw me. Well, okay, it’s your choice, but you don’t have to do it. It’s not real. One lesson which we can all take from his life is the level of commitment, passion, creativity, and discipline he has for his craft. Maybe I want it to happen because I’m tired of it. I felt very negative about the site, and I didn’t know how to express it or should I express it or should I say it. I kind of got it in my head that that was the moment of truth, when you’re facing yourself and what you’re going to make. So some of the shapes, after the fact, I could recognize were coming from way back somewhere. If you look at the Elgin Marbles, those warriors are pressing the shields into the stone, and you feel the pressure, and you feel the horses are moving, and if they could do that with inert materials, I thought, “Why not see if that could become an architectural direction that would enliven the buildings, humanize them, and create humanity?”. The house, I finished it. You won’t take that because you know they did something wrong. They were like bandsaw and jigsaw cuttings, and they were odd shapes, and we used to play, make fantasy cities. It’s become very businesslike, and is antithetical to being a work of art. I think the educational thing has to change a bit, so that you allow different kinds of architects to evolve, because when you get in practice, you need all these different skills. And then a day later I find, in my head, I figure out some kind of missing link — something I wasn’t aware of — that unnerves me. I think it was $80 million. What role do you see yourself playing in that? You can unsubscribe at any time by clicking the link at the bottom of every newsletter. No. And I thought the Greeks knew how to express it. The presidential awards citation, read in part, “never limited by conventional materials, styles, or processes, Frank Gehry’s bold and thoughtful structures demonstrate architecture’s power to induce wonder and revitalize communities. 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